PETER PARKER, THE SPECTACULAR SPIDER-MAN #29

Cover shows strong gloss and vivid color with sharp corners and no visible creases or spine stress lines. There is minor edge wear along the top and right border and slight softness at the bottom right corner. The UPC barcode confirms newsstand edition; interior pages and back cover were not assessed, so grade is based solely on the front cover image.

Peter Parker, The Spectacular Spider-Man #29 arrived during Marvel's late-1970s expansion of the Spider-Man line, with Bill Mantlo scripting and Jim Mooney on pencils, inked by Frank Springer. The issue is a middle chapter in the Jackal/Carrion arc that ran through the Spectacular Spider-Man title in this period, tying into the fallout from the Jackal's cloning schemes and the debut of the shambling villain Carrion. The cover, credited to Bob McLeod and Keith Pollard, situates the book squarely within Marvel's Bronze Age supporting cast of Harry Osborn, Betty Brant, Flash Thompson, and Liz Allan, but the issue introduces no characters and carries no origin, first appearance, or landmark creative milestone.

Market data reflects a book with steady but modest demand: a large certified population (98 universal copies across a 105-count census) and a thin trail of raw sales indicate this is a plentiful, inexpensive read-and-hold title rather than a scarce commodity. Pricing is essentially flat through the mid grades, with FMV climbing only modestly at 7.5 and 9.4, then jumping sharply at the top of the census toward 9.6 and 9.8, a pattern typical of common Bronze Age newsstand comics where high-grade survivors are disproportionately scarce relative to raw supply. Demand is driven almost entirely by Spider-Man completists filling out the Jackal/Carrion saga and by CGC grade-chasers targeting the 9.8 tier rather than by any character or creator premium.

This book is best suited to run collectors assembling the full Spectacular Spider-Man Bronze Age sequence and to census-conscious buyers pursuing pristine slabs; it has little appeal as a standalone investment piece. Raw copies in low and mid grade move cheaply and frequently in bulk or dealer stock, while CGC 9.8 examples command a real premium reflecting genuine scarcity at the top of the grading pyramid. Absent any key designation, value is grade-driven rather than story- or character-driven, and the book should be cataloged and priced accordingly.